This article pursues issues of pedagogy, place and queer phenomenology in the context of what might be meant by the term 'after-queer' or 'what falls outside queer' as we currently theorise, practice and locate queer. This article investigates how bodies become oriented within and around the field of a television series that centres Indigenous terms and orientations and thereby, still further, problematises the directions and orientations of desire. The article explores the narrative and queer and other couplings of an Australian tele-series.